{"id":65904,"date":"2026-01-05T11:21:05","date_gmt":"2026-01-05T03:21:30","guid":{"rendered":"https:\/\/artsg.com\/?page_id=65904"},"modified":"2026-01-15T14:27:38","modified_gmt":"2026-01-15T06:27:38","slug":"wan-hai-hotel-singapore-strait","status":"publish","type":"page","link":"https:\/\/artsg.com\/wan-hai-hotel-singapore-strait\/","title":{"rendered":"WAN HAI HOTEL: SINGAPORE STRAIT"},"content":{"rendered":"\t\t
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Ho Tzu Nyen, Utama\u2014Every Name in History is I, 2003 \u00a9 Ho Tzu Nyen, Image courtesy of the artist \n<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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with<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Esvin Alarc\u00f3n Lam
Irwan Ahmett & Tita Salina
Cai Kunyu
John Clang
Stephanie Comilang
Miguel Covarrubias
Taloi Havini
Hoo Fan Chon
Ho Tzu Nyen<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Arka Kinari
Dawn Ng
Bhenji Ra
Joshua Serafin
Tan Jing
Wantanee Siripattananuntakul
Ming Wong
Robert Zhao Renhui
Payne Zhu<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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20\u201331 January 2026
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The Warehouse Hotel
320 Havelock Road
Singapore 169628<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Events<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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21 January, Wednesday<\/strong>
11:30\u201312:30\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Artist talk: Joshua Serafin and Bhenji Ra in conversation with X Zhu-Nowell
12:00\u201316:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*<\/p>

22 January, Thursday<\/strong>
11:30\u201313:00\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Performance: Relics: An Eye Once Blind<\/em> by Joshua Serafin**
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Performance: Sissy in the Straits<\/em> by Bhenji Ra**
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sound Performance: Live set by Tati au Miel<\/p>

23 January, Friday<\/strong>
11:30\u201312:30\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Artist Talk: Payne Zhu and Tan Jing in conversation with Sam Shiyi Qian
16:00\u201318:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*
20:00\u201320:30\u00a0 \u00a0 \u00a0 Otak-Atik<\/em> Gamelan & Electronic Sound performance by Rosemainy Buang
20:30\u201323:00\u00a0 \u00a0 \u00a0 Sound Mapping by Tati au Miel<\/p>

24 January, Saturday<\/strong>
11:30\u201312:30\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Artist Talk: Hoo Fan Chon in conversation with X Zhu-Nowell
16:00\u201318:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*
20:00\u201320:30\u00a0 \u00a0 \u00a0 Otak-Atik<\/em> Gamelan & Electronic Sound performance by Rosemainy Buang
20:30\u201323:00\u00a0 \u00a0 \u00a0 Sound Mapping by Tati au Miel<\/p>

25 January, Sunday<\/strong>
11:30\u201312:30\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Artist Talk: John Clang in conversation with Alfonse Chiu
14:00\u201316:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*<\/p>

30 January, Friday<\/strong>
12:00\u201315:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*<\/p>

31 January, Saturday<\/strong>
12:00\u201315:00\u00a0 \u00a0 \u00a0 \u00a0 Performance: Reading by an Artist<\/em> by John Clang*<\/p>

More programming to come. Please follow this site.<\/strong><\/p>

*As Reading by an Artist<\/em> is a thirty-minute long one-to-one performance between the artist and one viewer, admittance is strictly based on prior reservation. Please book your session here<\/a>.
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Welcome to
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For twelve days, The Warehouse Hotel will transform into Wan Hai Hotel: Singapore Strait<\/em>, a speculative space where hospitality becomes both an offering and a question. Featuring over twenty artists from across Singapore, Southeast Asia, and the Asia-Pacific, this exhibition explores archipelagic thinking, maritime identity, and oceanic forms of relation through site-specific installations, performances, conversations, film screenings, and curated menus.<\/p>

Taking its title from the name of a modest motel located in the Chinatown of Penang, Wan Hai Hotel<\/em> draws on the the writings of Tongan thinker Epeli Hau\u2019ofa, who posits the vast Pacific ocean as not so much \u201cislands in a far sea\u201d but rather a \u201csea of islands\u201d as a conceptual key for how we may understand the ocean not as something that divides and separates, but as a living space full of movement, relation, and memory.<\/p>

Originally staged at the Rockbund Art Museum in Shanghai in 2024, during which the museum’s ground-floor was transformed into a fabulous, speculative hotel, Wan Hai Hotel<\/em> now continues its oceanic voyage through to the Singapore Strait: a historical epicenter of sea-bound commerce where cargos, bodies, and desires continue to flow. In this incarnation, the exhibition seeks to address the Singapore Strait not merely as a geopolitical passage, but as a dense zone where shipping, finance, labor migrations, surveillance, and extractive economies converge.<\/p>

Instead of seeing the ocean as a purely symbolic space, it engages Singapore as a maritime environment that has been structured by these daily rehearsals of power through the form of a hotel: a social and spatial structure very much shaped by the specific oceanic, historical, and logistical conditions of its locale. Here, it enters a site historically defined by tides of labor and intimacy\u2014a district once shaped by boat workers, secret societies, and red-light economies\u2014and transforms the hotel’s architecture of regulated hospitality into a space for reflection.<\/p>

Over the course of the exhibition, The Warehouse Hotel will become a vessel for a collective rehearsal on interruption; its reception, lounge, bar, study, restaurant, and marginal spaces the convening points for artists whose practices think with tides, straits, migratory routes, and maritime infrastructures. By activating installations, performances, conversations, and sound mappings, the project asks: How do bodies traverse not only water but power? How do kinship, longing, and endurance persist when everything conspires toward enclosure?<\/p>

We hope you enjoy your stay.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About the Artists<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Esvin Alarc\u00f3n Lam<\/strong> is a Guatemala-based artist whose projects create spaces for critical and emotional engagement with the past. In his recent works, Alarc\u00f3n Lam focuses on his Chinese ancestry to shed new light on history from a queer perspective. Drawing from his family\u2019s immigration history, he explores the architecture and material culture in Central America that can be traced to the Chinese diaspora, highlighting community-oriented ways of dealing with memory. Through paintings, textile works, and installations, he deconstructs national symbols and traditional notions of identity, designing alternative forms of political a\ufb03liation that go beyond nation-state narratives.<\/p>

Irwan Ahmett and Tita Salina<\/strong> are self-taught artist duo based in Jakarta. Their initial work is to place the imagination through performative intervention in the midst of chaotic public space of megapolitan Jakarta, which faces the dilemma of uncontrolled urbanization and pollution. The development of networks in art, activist, and scientific circles has encouraged their artistic practice to progress toward the more profound and deeper circumstances. They are currently working on a long-term project related to geopolitical turmoil in the Ring of Fire-Pacific Rim, the most prone region to natural disasters as well as traumatic consequences which are caused by persistent ideological violence.<\/p>

Born in Fujian, China, Cai Kunyu<\/strong> holds both bachelor\u2019s and master\u2019s degrees from the Beijing Film Academy and has directed numerous theatrical feature films. His practice explores the integration of social issues within commercial genre cinema, and his films consistently incorporate elements of his Fujian hometown to varying degrees.<\/p>

John Clang<\/strong> is a visual artist whose practice often straddles the dual realities of global cities, unfettered by the confines of time and geography. A double-sight navigator of a world in constant flux, he absorbs seemingly mundane and banal external stimuli and conveys his internal observations and ruminations through the mediums of photography, film and metaphysical performance.<\/p>

Stephanie Comilang<\/strong> is a Filipina-Canadian artist living and working in Berlin. Her documentary-based works create narratives that look at how our understandings of mobility, capital and labour on a global scale are shaped through various cultural and social factors.<\/p>

Jos\u00e9 Miguel Covarrubias Duclaud<\/strong> (1904\u20141957) was a Mexican artist as well as a researcher. One of the most multifaceted figures in Mexico\u2019s cultural history, he worked as a caricaturist, draftsman, illustrator, theatrical designer, and painter, and, through largely self-taught and empirical training, authored significant anthropological and ethnological studies. He also made contributions to museology and, during a brief period as a public official in the early 1950s, promoted experimentation and creativity in Mexican modern dance.<\/p>

Taloi Havini<\/strong> (Nakas Tribe, Hak\u00f6 people) was born in Arawa, Autonomous Region of Bougainville and is currently based in Brisbane, Australia. She employs a research practice informed by her matrilineal ties to her land and communities in Bougainville. This manifests in works created using a range of media, including photography, audio, video, sculpture, immersive installation, and print. She curates and collaborates across multi-art platforms using archives, working with communities and developing commissions locally and internationally. Knowledge production, transmission, inheritance, mapping, and representation are central themes in Havini\u2019s work where she examines these in relation to land, architecture, and place.<\/p>

Hoo Fan Chon<\/strong> is a visual artist based in Penang. His research-driven projects are often set in local geographies and concern class aspiration, cultural identity, informal histories, and colonial legacy. By reframing everyday life with irony and wry humour, his works observe the oscillations and assimilations between social classes, the official and the informal, the highbrow and the lowbrow. His practice aims to \u201cmengataskan yang kampung, kampungkan yang atas,\u201d which can be translated as, \u201cto make fancy the village, to make village the fancy.\u201d<\/p>

Steeped in numerous Eastern and Western cultural references ranging from art history to theatre and from cinema to music to philosophy, Ho Tzu Nyen<\/strong>\u2019s works blend mythical narratives and historical facts to mobilise different understandings of history, its writing and its transmission. The central theme of his \u0153uvre is a long-term investigation of the plurality of cultural identities in Southeast Asia. This observation as to the history of this region of the world is reflected in his pieces which weave together different regimes of knowledge, narratives and representations. From documentary research to fantasy, his work combines archival images, animation and film in installations that are often immersive and theatrical.<\/p>

Han Ishu<\/strong> is a Shanghai-born, Tokyo-based artist working in various mediums including video, installation, photography, and performance to examine the subjective nature of identity and difference as inscribed in the collective and the individual. Much of his work is derived from his personal experiences, from moving to Japan as a child to his life in Tokyo today. Using objects, his own body, and the bodies of others, he alludes to ideologies and societal norms inscribed in our gaze and our everyday behavior. By utilizing a poetic visual language that is often laced with humor, his work provides an imaginative sphere to negotiate those forces.<\/p>

Arka Kinari<\/strong> is a seventy-ton sailing ship and floating cultural platform co-founded by Nova Ruth and Grey Filastine. Since its transformation into a sailing ship, Arka Kinari has traveled from Rotterdam through the Panama Canal to Indonesia, spreading a message of sustainability, promoting resilience to climate change and re-engagement with the sea. Nova Ruth Setyaningtyas is a live artist, musician, and community organizer from Malang, East Java, whose work centers on the environment and women\u2019s voices. Grey Filastine creates sound, video, and performances that probe ecological conflict and imagine alternative futures.<\/p>

Dawn Ng<\/strong> is a multidisciplinary visual artist who works across a diverse range of mediums, motifs, and large-scale installations. Her practice investigates concepts of time, memory, nostalgia, and temporality. In her most significant and ongoing body of work Into Air, Ng incorporates ice\u2014the ultimate ephemeral material in the tropical climate of her native country\u2014to articulate time\u2019s shifts and nuances, through a series of paintings, films, photographic prints, light boxes, and performance. Often characterized by visual and emotive connections to landscape and geology, Ng\u2019s work explores time\u2019s transience through markmaking in a resplendence of color, texture, and detail.<\/p>

Bhenji Ra<\/strong> is an Australian Filipina artist currently based between Manila and Gadigal land of the Eora Nation (Sydney, Australia). Her practice spans dance, choreography, video, installation, and community activation. Grounded in transfeminist, intergenerational, and intercultural methodologies, her work engages with erased and overlooked narratives of queer and trans stories within history, proposing decolonial and fugitive modes of collective becoming. Guided by her ancestral and queer genealogies, Ra creates expansive tapestries of ritual, archival inquiry, and collective action that emerge from the intersections of her personal, cultural, and communal life.<\/p>

Joshua Serafin<\/strong> is a multi-disciplinary artist who combines dance, performance, visual arts, and choreography. Their works deal with questions about identity, transmigration, queer politics and representation, states of being, and ways of inhabiting the body. Their cosmology of works creates new forms of rituals, and embodiment, based on queer ecologies. Whether performing on stage, inside the museum, or through video and photography, Serafin\u2019s artistic process is an intense sociological exorcism of Filipino identity with the hybridity of western ideologies; unpacking the historical violence of its feudal contemporary society and its dehumanising normality.<\/p>

Tan Jing<\/strong> lives and works between Jingdezhen and Shenzhen. Tan\u2019s practice spans sculpture, installation, and moving image, often combining unconventional materials to explore the intersections of emotion, desire, and materiality. Her installations integrate olfactory substances, textiles, glass, and biological materials to reveal \u0003their affective potential. Drawing on personal memoirs, historical archives, folklore, mythology, and fantastical narratives, Tan creates immersive environments where scent, material, and space evoke memory, longing, and layered stories. Her work investigates how overlooked sensory experiences, particularly olfaction, function as conduits for cultural transmission and reflection, transforming familiar materials and spaces into sensorially rich encounters.<\/p>

Wantanee Siripattananuntakul<\/strong> is a Bangkok-based multimedia artist working across spatial and time-based forms. Her practice explores the intersections between historical memory and interspecies perception, and how different forms of attention reveal structures normally overlooked by humans. In her recent work, she operates at the intersection of physics, interspecies perception, and the cosmological forces sensed by other species. For over a decade, she has developed a long-term collaboration with her African Grey parrot, Beuys, whose perceptual logic has become central to her research. She is currently expanding her practice into questions of orientation, gravity, and multispecies understandings of time and environment.<\/p>

Ming Wong<\/strong> is a Singapore-born, Berlin-based artist working with performance, video, photography, and installation to uncover the slippages that haunt ideas of \u201cauthenticity\u201d and \u201coriginality.\u201d Through a re-reading of world cinema and popular culture artefacts, his artistic research and practice explore the politics of representation and how culture, gender and identity are constructed, reproduced and circulated.<\/p>

Singaporean visual artist Robert Zhao Renhui<\/strong> works chiefly with photography but often adopts a multi-disciplinary approach, presenting images together with documents and objects in the form of textual and media analysis, video and photography projects. His artistic practice investigates man\u2019s relationship with nature, utilizing convincing narratives to invoke doubts in its audience towards the concept of truth and its portrayal.<\/p>

Payne Zhu<\/strong> probes into different economic systems and works in between the rheology of finance, competing bodies and the flooding of images. Aspiring to become an exile from within, Zhu manages to create an alterative economics. Often taking unconventional moving images as a point of departure, Zhu\u2019s works celebrate the unmatchable nature of the subject through the mismatch of different technological media.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About the Curator<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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X Zhu-Nowell<\/strong> is a curator, writer, and institutional practitioner, currently serving as Executive Director and Chief Curator of the Rockbund Art Museum (RAM) in Shanghai. Based between Shanghai and New York, their practice is shaped by relational authorship and an approach to exhibition-making that foregrounds contradiction, displacement, and the labor of (mis)translation. At RAM, Zhu-Nowell has led a structural shift toward a \u201cresistant institution,\u201d advancing artist commissions, research-led practice, and radical pedagogy through initiatives such as AUUUUDITORIUM<\/em> and Complex Geographies. Recent projects include Irena Haiduk: Nula<\/em>, which transformed the museum into an active film set and participatory economy, and The Great Camouflage<\/em>, co-curated with Kandis Williams.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Credits and Acknowledgements<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Wan Hai Hotel: Singapore Strait<\/em> is curated by X Zhu-Nowell, Executive Director and Chief Curator of Rockbund Art Museum, with support from Sam Shiyi Qian, Curator at Rockbund Art Museum. Part of Singapore Art Week, Wan Hai Hotel: Singapore Strait<\/em> is organised by ART SG and Rockbund Art Museum, and supported by the National Arts Council, Singapore Tourism Board, and ROCKBUND. Joshua Serafin’s appearance in Singapore is made possible through the support of M Art Foundation. We would like to thank our venue sponsor The Warehouse Hotel<\/a> whose support made this experimental concept possible and the River Valley Art District<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Supported By<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Venue Partner<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Performance Supported By<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Opening Reception Supported By<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Ho Tzu Nyen, Utama\u2014Every Name in History is I, 2003 \u00a9 Ho Tzu Nyen, Image courtesy of the artist with Esvin Alarc\u00f3n LamIrwan Ahmett & Tita SalinaCai KunyuJohn ClangStephanie ComilangMiguel CovarrubiasTaloi HaviniHoo Fan ChonHo Tzu Nyen Arka KinariDawn NgBhenji RaJoshua SerafinTan JingWantanee SiripattananuntakulMing WongRobert Zhao RenhuiPayne Zhu 20\u201331 January 20267am\u201311:30pm The Warehouse Hotel320 Havelock RoadSingapore […]<\/p>\n","protected":false},"author":3845,"featured_media":0,"parent":0,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"template-onepage.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-65904","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nWAN HAI HOTEL: SINGAPORE STRAIT - ART SG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artsg.com\/wan-hai-hotel-singapore-strait\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WAN HAI HOTEL: SINGAPORE STRAIT - 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